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Nicki minaj anaconda5/1/2023 ![]() ![]() On July 24, she posted the name, cover, and release date of the second single off The Pinkprint. She also confirmed it was album related, but not the album cover. She said the surprise was one word that began and ended with the letter "A" and the second letter was the letter "N". On July 23, she did another Q&A about the hint and surprise we were getting soon. She also said it didn't have any features on it. Her response was, "No." During a Twitter Q&A on July 2, a fan asked her about any hints of the 2nd single and she replied, "HARD FUCKING BODY!". On June 6, a fan asked Nicki if " Pills N Potions" was the only song she would release before the album. The song has been certified 2x Platinum in the US, Platinum in Australia, Gold in New Zealand and Sweden, and Silver in the UK. It was included on the US edition (Now! 52) and the UK edition (Now! 89) of the compilation music issue Now That's What I Call Music! It was also her 11th Top 10 entry extending her lead as the female rapper with the most Top 10s of all time. It peaked at #2 on the Billboard Hot 100 becoming her highest charting single on the chart. This music video made Nicki Minaj become the first solo female rapper to hit 1 Billion views! It broke the VEVO record for most watched video in it's first 24 hours with 19.6M views. The song was her first song as a solo artist to go #1 on iTunes, and the first as a female rapper in general. ![]() The song was released on Augas a digital download, and to Top 40 Mainstream (Pop) and Top 40 Rhythmic radio stations on August 12, 2014. A music video was shot for the song on July 21-22, and premiered on VEVO on August 20, 2014. Minaj did a radio promo tour to promote the song on radio stations like Hot 97, Power 106 LA, On Air with Ryan Seacrest, Elvis Duran and The Morning Show, Carson Daly, and more. The song was composed by Maraj, Jamal Jones, Jonathan Solone-Myvett, Ernest Clark, Marcos Palacios and Anthony Ray, and production was managed by Polow Da Don and Da Internz. The song serves as the second single off the album. Calling out Miley Cyrus’ career-advancing performance of racial drag, or Lily Allen’s casual racism is important, but what we really need is a broader spectrum of depictions of female sexuality – especially when it comes to women of colour – in mainstream culture." Anaconda" is a song by Nicki Minaj from her third studio album, The Pinkprint. Banning videos by Robin Thicke, DJ Snake, and Calvin Harris, who use female bodies as trophies hard won of their overpowering masculinity, will not deflect the male gaze. Slapping a parental advisory warning on Nicki Minaj’s bum will not change the way black women are exoticised. It seems so painfully old-fashioned to think of women as either Madonna or whore – but that dichotomy has just been reconfigured for 2014 as “wifey” or a “thot.” This troublingly simplistic mindset is why newspaper the Voice picked up on the same report with a headline that said, “How Stars Like Beyoncé Are Damaging Our Girls.” It is why the owner of wrote an ostensibly “concerned” open letter to Nicki Minaj, asking “Is this the path you want to lead impressionable kids down?” It is why people blamed my short skirt when a sweaty old man followed me home from school. That, and the framework of (white) patriarchal privilege that paves the way for this logical misstep, this mental game of hopscotch where the lines are all drawn wrong. The real problem, of course, is the assumption that displays of feminine sexuality are indicators of sexual availability. The subtext whispers: “Hide your butt cheeks, hide your breasts, because people cannot learn to respect women if they are sexual creatures.” ![]() But the report’s implication that videos full of sexily writhing bodies are responsible for both rape culture and racism is fundamentally misguided. The recommended solution: compulsory age ratings, and increased cautiousness when it comes to what music video “choose to portray”. It goes on to suggest that by reducing women to eye candy, music videos create “a conducive context for violence against women”. Going further, the report cites experimental research where viewers who watch hypersexualised music videos become more tolerant of racist and sexist attitudes some even are more likely to excuse a rapist’s actions. ![]()
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